MONDAY, JULY 21, 2025
8PM
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ED SUNSPOT
MITCHELL BROWN & JOSEPH HAMMER
SPECIAL COLLECTIONS
2220 ARTS + ARCHIVES
![]()
8PM
ED SUNSPOT
MITCHELL BROWN & JOSEPH HAMMER
SPECIAL COLLECTIONS
2220 ARTS + ARCHIVES
On Monday July 21st ED SUNSPOT – the solo project of Lexington, KY–based artist and musician Robert Beatty – caps a night of head-stretching out sound.
For this midsummer audio salon, MITCHELL BROWN – the L.A. melon expander himself – brings his elastic ecstatics in to duo with loop-da-loop tape player, synther, and LAFMS affiliate JOSEPH HAMMER. Also, thickening the plot, Sam Rowell assembles and investigates sounds anomalous and obscure, with a live-in-concert outing of her radio collage project SPECIAL COLLECTIONS.
ⓔⓓ ⓢⓤⓝⓢⓟⓞⓣ is the solo project of Lexington, KY–based artist and musician Robert Beatty. While he has previously used his own name and ‘Three Legged Race’ as noms d’klang – his underground impulses and tricks continue unabated under this new guise. Like the globally recognizable album art Beatty has created for himself and others, his electro-sonics blur the line between analog artifact and digital method. This ambiguity is intrinsic to his era-less weirdness as he creates mystery mindscapes and imaginary genres that are strangely proximate to 20th-century avant-classical, Komische, and lo-fi bedroom electronics.
https://robertbeatty.bandcamp.com/
Poster design by Robert Beatty
For this midsummer audio salon, MITCHELL BROWN – the L.A. melon expander himself – brings his elastic ecstatics in to duo with loop-da-loop tape player, synther, and LAFMS affiliate JOSEPH HAMMER. Also, thickening the plot, Sam Rowell assembles and investigates sounds anomalous and obscure, with a live-in-concert outing of her radio collage project SPECIAL COLLECTIONS.
ⓔⓓ ⓢⓤⓝⓢⓟⓞⓣ is the solo project of Lexington, KY–based artist and musician Robert Beatty. While he has previously used his own name and ‘Three Legged Race’ as noms d’klang – his underground impulses and tricks continue unabated under this new guise. Like the globally recognizable album art Beatty has created for himself and others, his electro-sonics blur the line between analog artifact and digital method. This ambiguity is intrinsic to his era-less weirdness as he creates mystery mindscapes and imaginary genres that are strangely proximate to 20th-century avant-classical, Komische, and lo-fi bedroom electronics.
https://robertbeatty.bandcamp.com/
Poster design by Robert Beatty
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