SATURDAY, FEBRUARY 15, 2025
7PM
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RYOSUKE KIYASU
LUCAS ‘GRANPA’ ABELA
TED BYRNES
LAW
ZEBULON
![]()
![]()
7PM
RYOSUKE KIYASU
LUCAS ‘GRANPA’ ABELA
TED BYRNES
LAW
ZEBULON
An evening of extreme sound and performance featuring two astonishing artists from across the Pacific.
The Japanese snare drum soloist RYOSUKE KIYASU rips and thrashes, pushing limits of what can be improvised with a couple of drumsticks, a snare, a mic, and a table. Amidst cathartic whole-body maneuvers, he can just as easily issue a flurry of rolls and virtuosic high velocity click-clack on the rims, or in turn growl right into the heads, or even take the party to the floor for some scrape and drag.
AND
Longtime globe travelling DIY-lifer LUCAS ‘GRANPA’ ABELA (fka Justice Yeldham) also pushes the boundaries and also pushes a large shard of glass into his face and against his mouth, playing it as an electroacoustic instrument, these days feeding the signal into a an array of modular chaos. Might there be blood?
PLUS a couple actions from L.A zones: Percussionist TED BYRNES throwing metal around, and LAW – the duo of L. Coats and Jonah Bergman - folding primitive folk instrumentation right into the harsh.
The Japanese snare drum soloist RYOSUKE KIYASU rips and thrashes, pushing limits of what can be improvised with a couple of drumsticks, a snare, a mic, and a table. Amidst cathartic whole-body maneuvers, he can just as easily issue a flurry of rolls and virtuosic high velocity click-clack on the rims, or in turn growl right into the heads, or even take the party to the floor for some scrape and drag.
AND
Longtime globe travelling DIY-lifer LUCAS ‘GRANPA’ ABELA (fka Justice Yeldham) also pushes the boundaries and also pushes a large shard of glass into his face and against his mouth, playing it as an electroacoustic instrument, these days feeding the signal into a an array of modular chaos. Might there be blood?
PLUS a couple actions from L.A zones: Percussionist TED BYRNES throwing metal around, and LAW – the duo of L. Coats and Jonah Bergman - folding primitive folk instrumentation right into the harsh.